2020 MWFF Experimental Film Showcase

18 short experimental films from around the world have been selected for our 2020 MWFF Experimental Short Film Showcase!*

All showcases for the #2020MWFF will be available for viewing from 9am (CST) Friday, September 18th through Sunday, September 20th at 7pm (CST). You can get your tickets online and in advance by clicking the link below.

https://filmfreeway.com/MosaicWorldFilmFestival/tickets

Selected Films:

Tempest (United States)

Four women share the darkest moments in their lives.

Director: Myra Rivera


Quantum LOGOS – Vision Serpent (United States)

Going beyond the limitations of classical logic this film uses images as poetry to represent the quantum world. Using cultural icons to create visual metaphors to explore, and discover; to communicate the counterintuitive, and contradictory beauty of quantum physics.

Director: Mark Chavez

Director Statement

My artistic practice strives to utilize digital multimedia techniques to tag meaning to tangible, concrete ideas. I explore computer animation with emotive-abstraction, mapping design to emotions, with audio-reactive motion and real-time animation design. My work currently attempts to shape a sense of familiarity to themes I am exploring by using cultural archetypes and design to explain contemporary scientific ideas and concepts. I exhibit my artwork as short films, interactive and reactive, immersive fields, and print.

The Photos on My Wall (Argentina)

The director embarks in exploring the layers and potential stories behind the characters and places in old film pictures she took and plans to put on her bedroom wall.

Director: Rocio Prat Gay

Film director based in Argentina. She has completed her BA studies in Directing in Universidad del Cine and has works as a photographer and art director in various projects.

Remembrance (United States)

Much like a roll of 8mm film, our childhood memories fade as time goes on. However, the essence of these memories stay with us forever, in our dreams and in our hearts.

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